From the depths of Japan’s underground rises a blasphemous anomaly: EXITIUM OF NEMESIS, a black metal entity conjured by three high school acolytes—Baphomet (17), Blaster (17), and Halphas (16). At an age where most are bound by conformity, these young disciples of darkness have pledged allegiance to the left-hand path, forming one of the world’s rare Satanic collectives of their generation.
Their debut album, Devil’s Eschatology, was vomited forth via their own label, Blackdeath Records, and has already been devoured by Japan’s cult followers—completely sold out in a matter of days. Primitive, uncompromising, and steeped in esoteric filth, the release has cemented their position within the nation’s blackened underground.
Now seeking an international label to spread their gospel of ruin beyond the archipelago, Exitium Of Nemesis are forging their second full-length—one that vows to transcend their debut and descend deeper into the cavernous heart of true black metal. Expect no trends, no polish—only the abyss.
Musically, their form is ever-shifting. One moment echoes of hardcore punk, the next, the cold blast of nihilistic fury. They smear their compositions with ambient noise, dissonance, and chaos, refusing to be bound by orthodoxy. Live, they invoke the spirit of early Mayhem, going so far as to use severed pig heads on stage—rites drenched in decay, not theatrics.
For those who remember when black metal was dangerous, untamed, and occult—Exitium Of Nemesis is not a revival. It is a reckoning.
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