Iranian symphonic death/groove metal band KHSHATHRA has finally unleashed its debut single, “War Drums.”
The release date of “War Drums” carries special significance due to the band’s name, Khshathra, which comes from Khshathra Vairya, a divine figure in Zoroastrianism. The current month in the Persian calendar is named after Khshathra Vairya, adding further meaning to the timing of this debut.
Khshathra’s debut offering, “War Drums,” charges out with a relentless riff and guttural vocals, diving straight into the action. This track combines intense groove with symphonic grandeur, creating a powerful and atmospheric soundscape.
In 53 BCE, the Roman legions, led by General Crassus, marched into the desolate deserts of Carrhae (modern-day Harran, Turkey) with 40,000 men. Ignoring the Armenian King’s offer of safe passage, Crassus chose a direct route across the Euphrates. Facing severe exhaustion and dehydration, the Romans soon found themselves pursued by the Parthian army, led by the renowned General Surena. Despite being heavily outnumbered, the Parthians used psychological tactics, including massive war drums, to intimidate and encircle the Roman forces. The Romans, trapped and outmatched, endured relentless attacks from the Parthian cavalry. Crassus’s hopes of survival were dashed as the Parthians maintained their siege, leading to a brutal defeat. After the battle, Crassus was killed, and his head was allegedly used in a grisly display at a royal banquet. This historical episode highlights how greed and strategic blunders can turn a seemingly favorable situation into utter disaster.
“War Drums” draws on this historical narrative to evoke the emotions of the Battle of Carrhae. Through its dynamic riffs and powerful war chants, the song reflects the Parthian soldiers’ strength, unity, and fury. In contrast, the clean interlude, featuring a Latin spoken word segment and a mournful guitar solo, encapsulates the sadness and despair felt by the Roman soldiers. Khshathra’s music vividly portrays the contrasting experiences of both sides, capturing the battle’s intense emotional spectrum.
Very cool to see some fellow Asian extreme musicheads who live out here in the west (United Kingdom to be precise) also continuing to actually play music instead of...
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